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ELFComedy Director: Jon Favreau
Movie reviews Grade: A- By ELEANOR RINGEL GILLESPIE web site: http://www.accessatlanta.com/movies/content/shared/movies/elf.html
Buddy the elf (Will Ferrell) isn't like the other busy bees in Santa's workshop. For one thing, he's more than 6 feet tall. For another, well, as his adored Papa Elf (Bob Newhart) confesses, Buddy isn't an elf at all. He's a human who, as an abandoned infant, climbed into Santa's (Ed Asner) sack one Christmas Eve. So Buddy bids his gingerbready, snow-globey North Pole home goodbye and sets off for a slightly less enchanted place: Manhattan. Luckily, the trip's not hard -- into the candy cane forest, past the sea of swirly, twirly gum drops and a short walk through the Lincoln Tunnel. Buddy expects he and his long-lost dad will spend their time making snow angels, cuddling and eating spaghetti covered in marshmallows, pop tarts and Hershey syrup. However, Dad (James Caan) turns out to be the sort who usually ends up on Santa's naughty list. A bad-tempered publisher of children's books, he isn't exactly thrilled when a lunatic in a green jacket, yellow tights and shoes with turned-up toes turns up in his office and calls him Daddy. "Elf" comes down to a basic fish-out-of-water tale, but it's adorned with so much Christmas good cheer that it's irresistible. As is Ferrell in a career-making role. With his curly hair and air of affable anarchy, he could be channeling Harpo Marx. Zanily exuberant and wistfully naive, Buddy isn't just an overgrown elf; he's an overgrown child, embodying all the wonder and chestnut-roasting warmth of Christmastime. But while Buddy can be touching, Ferrell never loses sight of the character's manic energy and sugar-rush excitement. Briefly employed at Gimbels department store (where he meets and falls for Santa helper Zooey Deschanel), he's aghast when the store Santa (Howard Stern sidekick Artie Lange) arrives. "You sit on a throne of lies!" he snarls. The supporting cast adds to the general merriment. Newhart, so underused in movies, is deliciously deadpan, even with an oversized Ferrell sitting on his lap. Caan redeems a dozen bad performances as a harried businessman with a bah-humbug streak. Asner is just the kind of gruff but good-hearted fellow Santa should be. And not only is Deschanel a great choice over the usual sugar-plum-fairy blonde, she also gives a beautiful and sexy rendition of "Baby, It's Cold Outside." Neophyte writer David Berenbaum adds all the right touches. When Buddy answers the phone at Caan's office, he asks the caller's favorite color. When he gets angry with himself, he spits out an accusing "cotton-headed ninny-muggins!" The ending tries too hard, but it's worth it to see Santa's sleigh careening through the concrete canyons of the Big Apple. Like the stockings hung by the chimney in "'Twas the Night Before
Christmas," "Elf" has been made with care. And a big, silly
grin. It's the sort of holiday treat even a Grinch would love. ----------------------------------------- web site: http://www.boston.com/movies/display?display=movie&id=2055 Does the name Will Ferrell say ''holiday cheer''? Does it evoke Eskimo kisses and unspiked eggnog? Or a fervid belief in Santa, Christmas carols, and hugs? No, but ''Elf'' does. The movie sets Ferrell's assaultive and juvenile physical comedy in a less-combative playground, and the result might leave the Ferrell-intolerant exiting the theater on a high. Directed by Jon Favreau from a screenplay by David Berenbaum, ''Elf'' casts Ferrell as Buddy, a human orphan who has been raised at the North Pole as one of Santa's little helpers. Never mind that watching him sit on the lap of his adoptive father (a shrunken Bob Newhart) is like seeing Yao Ming frolic atop Jeff Van Gundy. Like a giant who has grown up in a doll's house, Ferrell duckwalks through Rusty Smith's delicate-looking sets, and in a feat of rare self-control does not bust them up. Eventually, Buddy catches wind of the news that he's not an elf but the son of a bigwig New York children's-book executive (James Caan).
Naturally, the movie is headed for a big, healing family-flick thaw, but Favreau, who as an actor is a sort of big, lovable lug, doles out sentiment without a whole lot of schmaltz. He's responsible for turning ''Elf'' from a series of amusing sight gags into a sincere piece of feel-good commercialism. Favreau gets considerable mileage from Ferrell running around the city in yellow tights and a green jacket. That's only slightly stranger than when Buddy starts hanging out in the ''North Pole'' area of Gimbel's department store (defunct in reality but alive and well here). This ersatz pole -- managed by a teddy bear of a dude (Faizon Love) whose nametag says ''Wanda'' -- sorely lacks Christmas spirit. Buddy stays overnight and gives the place an authentic polar makeover: lots of lights and cotton snow. And it's long after that he's attacking the fake Santa and falling in love with Jovie (Zooey Deschanel), a dour girl playing the role of an elf on the Gimbel's payroll. Ferrell's unruly man-child shtick is the secret weapon of most of his movies, and as such his only responsibility is to blast a hole in the proceedings with his rambunctious id. The difference between Ferrell here and his brilliantly unhinged work in ''Old School'' is -- pardon me -- subtle. He exhibits a nearly human range of feeling in ''Elf'' that suggests that he may actually be aware of such things as character development and emotional arcs. As well-behaved and appealing as Ferrell is, Deschanel lights up the movie. She says her lines in the same sort of barbecued way that Debra Winger does, and her eyes are those of a skeptic who wants to believe. In the film's biggest surprise, she sings ''Baby, It's Cold Outside'' and to her shock is joined by Buddy. Her half of the rendition sounds as balmy as Ella Fitzgerald's and Pearl Bailey's. ''Elf'' tries earnestly to say that family is the greatest Christmas gift, but by the end of the movie, Deschanel is the only thing we want under the tree. -------------------------------------------
New Line Cinema presents a film directed by Jon Favreau. Written by David Berenbaum. Running time: 95 minutes. Rated PG (for some mild rude humor and language).
If I were to tell you "Elf" stars Will Ferrell as a human named Buddy who thinks he is an elf and Ed Asner as Santa Claus, would you feel an urgent desire to see this film? Neither did I. I thought it would be clunky, stupid and obvious, like "The Santa Clause 2" or "How the Grinch Stole Christmas." It would have grotesque special effects and lumber about in the wreckage of holiday cheer, foisting upon us a chaste romance involving the only girl in America who doesn't know that a man who thinks he is an elf is by definition a pervert. That's what I thought it would be. It took me about 10 seconds of seeing Will Ferrell in the elf costume to realize how very wrong I was. This is one of those rare Christmas comedies that has a heart, a brain and a wicked sense of humor, and it charms the socks right off the mantelpiece. Even the unexpected casting is on the money. James Caan as the elf's biological father. Yes! Bob Newhart as his adoptive elf father. Yes! Mary Steenburgen as Caan's wife, who welcomes an adult son into her family. Yes! Zooey Deschanel as the girl who works in a department store and falls for his elfin charm. Yes! Faizon Love as Santa's elf manager -- does it get any better than this? Yes, it does. Peter Dinklage, who played the dwarf in "The Station Agent," has a brief but sublime scene in which he cuts right to the bottom line of elfhood. "Elf," directed by Jon Favreau and written by David Berenbaum, begins with a tragic misunderstanding on a Christmas long ago. As Santa Claus is making his rounds, a human orphan crawls into his sack and accidentally hitches a ride to the North Pole. Raised as an elf by Papa Elf (Newhart), he knows he's at least four feet taller than most of the other elves, and eventually he decides to go to New York City and seek out his birth father. This is Walter (Caan), a hard-bitten publisher whose heart does not instantly melt at the prospect of a 6-foot man in a green tunic and yellow stretch tights, who says he is his son. But when Buddy drops the name of Walter's long-lost girlfriend, a faraway look appears in the old man's eyes, and soon Buddy is invited home, where Mary Steenburgen proves she is the only actress in America who could welcome her husband's out-of-wedlock elf into her family and make us believe she means it. The plot is pretty standard stuff, involving a crisis at the old man's publishing company and a need for a best-selling children's book, but there are sweet subplots involving Buddy's new little brother Michael (Daniel Tay), and Buddy's awkward but heartfelt little romance with the department store girl (Deschanel). Plus heart-tugging unfinished business at the North Pole. Of course there's a big scene involving Buddy's confrontation with the department store Santa Claus, who (clever elf that he is) Buddy instantly spots as an imposter. "You sit on a throne of lies!" he tells this Santa. Indeed the whole world has grown too cynical, which is why Santa is facing an energy crisis this year. His sleigh is powered by faith, and if enough people don't believe in Santa Claus, it can't fly. That leads to one of those scenes where a flying machine (in this case, oddly enough, the very sleigh we were just discussing) tries to fly and doesn't seem to be able to achieve takeoff velocity, and ... well, it would be a terrible thing if Santa were to go down in flames, so let's hope Buddy persuades enough people to believe. It should be easy. He convinced me that this was a good movie, and that's a miracle on 34th street right there.
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